Production Tag: 40

It Always Rains on Sunday is a 1947 British film adaptation of Arthur La Bern’s novel by the same name, directed by Robert Hamer. The film has been compared with the poetic realism movement in the French cinema of a few years earlier by the British writers Robert Murphy, in the Oxford Dictionary of National Biography, and Graham Fuller.

Frieda is a 1947 British film, directed by Basil Dearden, screenplay by Angus MacPhail and Ronald Millar and was produced by Michael Balcon.

The Loves of Joanna Godden is a 1947 British historical drama film directed by Charles Frend and produced by Michael Balcon. The screenplay was written by H. E. Bates and Angus MacPhail from the novel by Sheila Kaye-Smith. It stars Googie Withers, Jean Kent, John McCallum, Derek Bond, Chips Rafferty and Sonia Holm. Some scenes were shot by director Robert Hamer when Frend was ill, though he was uncredited. The music was composed by Ralph Vaughan Williams.

The Life and Adventures of Nicholas Nickleby is a 1947 British drama film directed by Alberto Cavalcanti and starring Cedric Hardwicke. The screenplay by John Dighton is based on the Charles Dickens novel The Life and Adventures of Nicholas Nickleby (1839). This first sound screen adaptation of the book followed silent films released in 1903 and 1912.

Hue and Cry (1947) is a British film directed by Charles Crichton and starring Alastair Sim, Harry Fowler and Joan Dowling. It is generally considered to be the first of the Ealing comedies, although it is better characterised as a thriller for children. Shot almost entirely on location, it is now a notable historic document due to its vivid portrait of a London still showing the damage of the Second World War. London forms the backdrop of a crime-gangster plot which revolves around a working class children’s street culture and children’s secret clubs.

The Captive Heart is a 1946 British war drama, directed by Basil Dearden and starring Michael Redgrave. It is about a Czechoslovak Army officer who is captured in the Fall of France and spends five years as a prisoner of war, during which time he forms a long-distance relationship with the widow of a British Army officer. The film was entered into the 1946 Cannes Film Festival. The film is partly based on the true story of a Czechoslovak officer in the RAF Volunteer Reserve, Josef Bryks MBE, and his relationship with a British WAAF, Gertrude Dellar, who was the widow of an RAF pilot.

Pink String and Sealing Wax is a 1945 British drama film directed by Robert Hamer and starring Mervyn Johns, Googie Withers and Gordon Jackson. It is based on a play with the same name by Roland Pertwee. It was the first feature film Robert Hamer directed on his own.

Dead of Night is a 1945 British anthology horror film (a gothic or horror anthology) made by Ealing Studios; the individual stories were directed by Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer. The film stars Mervyn Johns, Googie Withers, Sally Ann Howes and Michael Redgrave. The film is probably best-remembered for the ventriloquist’s dummy episode with Redgrave. Dead of Night stands out from British film of the 1940s, when few horror films were being produced in the country (horror films had been banned from production in Britain during the war), and it had an influence on subsequent British films in the genre. Both of the segments by John Baines were recycled for later films, and the possessed ventriloquist dummy episode was adapted as the audition episode of the long-running CBS radio series Escape.

Painted Boats (US titles The Girl on the Canal or The Girl of the Canal) is a black-and-white British film directed by Charles Crichton and released by Ealing Studios in 1945. Painted Boats, one of the lesser-known Ealing films of the period, is brief (63 minutes long), uses a little-known cast and has a slight storyline. It is however considered significant by waterways enthusiasts as a fictionalised documentary, providing a rare extensive filmic depiction of a long-gone way of life on England’s working canal system in the 1940. The narration was by Louis MacNeice, including some verse specially written to suit the onscreen action, most notably the sequence in which the narrow boat is being ‘legged’ through one of the tunnels.

Johnny Frenchman is a 1945 British film produced by Ealing Studios and directed by Charles Frend. The film was produced by Michael Balcon from a screenplay by T.E.B. Clarke, with cinematography by Roy Kellino.